History Archive

New Infantry, New Weapons

Posted November 15, 2012 By Rindis

Part two of Osprey’s survey of European Medieval Tactics is much like the first volume. Unfortunately, while I felt the first volume started strong and finished somewhat weaker, all of this volume is at the level of the later portions of the first.

The main problem is that the first one started with a fairly solid thesis, and then lost its way in the later part of the period. This volume is still useful as a general introduction to a subject that gets too little attention, but it just wanders from place to place, and time to time, without any central ideas stated.

There are another thirteen small battle diagrams included (compared to seven in the first volume), which seem to be more crowded and harder to follow than before. This may indicate the battles are getting more complicated. I don’t know this period as well, so fewer of the battles discussed there or in the eight color plates are familiar to me, though there were still a few I knew.

I’ll also note that Osprey has a volume on Pike and Shot Tactics 1590—1660. I wonder if they have anything planned for 1500—1590?

Be the first to comment

Bosworth 1485

Posted November 12, 2012 By Rindis

As usual, Osprey’s Campaign series does an excellent job of presenting the background and people involved in the battle in question. In this case, the later stages of the Wars of the Roses, and Richard III’s reign are covered very well. There is a lot that cannot be known through the distorting lens of Tudor propaganda, but some good points are made.

The general course of Henry Tudor’s landing and march into central England are handled well (I like the Campaign series in general because it is as much about the maneuvering to battle as much as the battle itself), with the usual excellent maps. There are also several very nice two-page spread original color paintings by Graham Turner scattered throughout, instead of art borrowed from previous books. There are two problems here: One, they usually have a paragraph or so of the main text over part of the art, and the contrast is often low enough to make reading the text difficult. Two, the people, even when they are supposed to be in motion, look posed. Other than that, they’re fine pieces, but my eyes are trained by an artist also educated as an animator; these people don’t look like they’re moving.

A final problem is that the book was published in 1999, and a couple surveys conducted since then indicate the battle may have been fought about two miles from where it was previously believed to be. It is still worth picking up, especially if found cheap, but I hope that once the resulting arguments start working their way through academia, Osprey will release a new edition of the volume.

1 Comment. Join the Conversation

The Lone Samurai (and the Martial Arts)

Posted October 5, 2012 By Rindis

In the introduction of  Stephen Turnbull’s The Lone Samurai and the Martial Arts, he points out, “the figure of the lone samurai, whose popularity is never in doubt throughout history, stands in direct contrast to what are perceived as the essentially group-led values of Japanese society.” Instead of being a book about modern martial arts, it is actually a history of the role of individual samurai (that is the warrior aristocracy) and martial arts from the time of the Gempei War to the current day.

Naturally, at the beginning the focus is on the samurai, which then shifts as the idea of actual swordfighting schools develops, and then the idea of martial arts develops in the centuries of peace under the Tokugawa.

In all, it’s an enjoyable book, that does a good job of presenting some of the social context of Japanese history.

1 Comment. Join the Conversation

The Fall and Rise of Cavalry

Posted May 9, 2012 By Rindis

Ospery has been doing a bunch of ‘Battle Tactics’ books recently. I think it would have been neat if they’d made them their own line, instead of just part of the Elite series. I decided to start off with the recent European Medieval Tactics (1) by David Nicolle. It’s a quick guide to early Middle Ages tactics; as such, there are pieces I knew already, and pieces that echo other books I’ve read. However, it’s all put together here very well. David Nicolle is one of my favorite Osprey authors, and he does not disappoint here.

Technically part of the Elite line, it follows the general format of the series. However, instead of the usual eight full-color plates of various soldiers of the period, they are all bird’s eye views of various battles in progress, that illustrate things very well indeed (part of one of these is on the front cover), accompanied with a decent 1/3rd page description of the action. Also, there are another seven battles given a traditional black-and-white schematic illustrative treatment. In part thanks to the period, while I’m already familiar with some of the battles, many I don’t know, or don’t even know as much as the little given in the book tells me.

In all, it really brings together its subject well (especially the earlier parts) and brings things into better focus. I will have to get more of the books in the Battle Tactics line that Osprey has been publishing lately.

1 Comment. Join the Conversation

A History of Venice

Posted April 16, 2012 By Rindis

Norwich’s A History of Venice is a good and thorough work covering from the initial colonization of the islands of the Rialto to the city’s fall to Napoleon (roughly 420 to 1797), but I found it a bit disappointing. However, I spent most of the book wondering why. Partly, I think, it is because there are very few personalities in the book. Norwich himself actually complains of this on two occasions—there’s just very few places in Venetian history where you can say anything about the personality of someone.

However, I think the main problem is I was hoping for a history of the Venetian state, and the book is really a history of the city, though restricted to that period where it was a state. Which is to say that except for those occasions where outside action impinges directly on one of Venice’s holdings, those holdings don’t show in the book. It feels like a stage play with one set—Venice—and news from abroad is sung by the Greek Chorus. There’s no sense of how the overseas empire really worked.

But, Norwich loves the city of Venice, and that love shows through on every page. One thing that is tracked lovingly through the pages are the buildings and monuments of Venice. When a new building goes up, there is a footnote telling what part of it is still visible today. When a Doge dies and is put in a tomb, there is a footnote giving where it was, and where it was moved to if anything happened to it. Visiting Venice with this book in hand would be a real treat.

1 Comment. Join the Conversation

The History of Central Eurasia

Posted March 6, 2012 By Rindis

Late last year, I picked up Empires of the Silk Road, as it looked very interesting.

And it is, I highly recommend it as an extremely well done history of a part of the world that most people just don’t know about from pre-history to the current date.

But—this book is not for the faint of heart. If you want some light informative reading, you will find the book overwhelming.

This especially holds true in the prologue and first two chapters of the book, where the footnotes and endnote references fly thick and furious. With all the flipping back and forth, and integrating the three different bits of text together, it can take over a quarter hour to get through two pages.

The reason for this is that for the early parts of the book, Beckwith is an expert holding forth on the more obscure parts of his field of expertise. He is well aware that almost everything he has to talk about hinges on specialized knowledge, and the footnotes and endnotes contain clarifications, and when he argues against the conventional interpretation, the general line of logic that leads to his conclusion.

That said, he does make some assumptions of knowledge. If you don’t know about linguistic reconstruction (and I’m lucky that I’ve run across it before), you’ll be wondering just what he’s talking about at many points, and what all those stars in front of words mean (which is a symbol for deduced, but not attested form of a word). As it is, many of the notes, and all of Appendix B, go pretty heavily into the field, and there are pronunciation glyphs I’ve never seen before.

Speaking of Appendixes, there are two of them, to go with voluminous endnotes, a Prologue, and a Epilogue. Appendix B goes into the reconstruction of the names of various peoples from Chinese sources, working out likely earlier forms of the names, and where those names can be equated with names in non-Chinese sources. Appendix A goes into his reconstruction of the initial diaspora of the Indo-European people, and the initial branching off of Proto-Indo-European into daughter families. I recommend reading it before Chapter 1, and Appendix B before Chapter 2, as they are heavily referenced in those sections. The Prologue is concerned with the “First Story”, which is a story cycle common to many Indo-European cultures (including the Romans) as a hero/foundation myth. The Epilogue is about the concept of ‘barbarians’ and how the modern conception of such is not only inappropriate to an understanding of the peoples of Central Eurasia (as he takes pains to point out during the book), but is inappropriate to an understanding of the original term, and some of original sources, but is especially inappropriate to use with Chinese sources, where several different terms for ‘foreigner’ that have little or no pejorative implications, are usually translated into English as ‘a kind of barbarian’.

The main part of the book is a history of Central Eurasia, or, more properly, the “Central Eurasian Culture Complex”. This history is delineated by broad cultural borders that change over time, not geographical ones.

I have to admit that there are large sections of the book where I am an unarmed man against some of his assertions. In general, I think his construction of pre- and early history are sound, but I don’t know enough to raise many objections. My main problem is that he seems to be a bit too strong of a Diffusionist for my tastes, asserting that the chariot was only invented by the Indo-Europeans, and allowed them to impose themselves on the various peripheral cultures.

The bulk of his book spends some time pointing the importance of trade, and the fact it is generally the peripheral civilizations that try to restrict trade, and the Central Eurasian civilizations often attack with the stated demand of opening up trade again. The Age of Exploration is looked in the light of one trade system (the Silk Road) being replaced by another (the Littoral System), with the current backwardness of the area resulting from the collapse of trade in the area.

The last couple chapters turn into a screed against Modernism. Again, I’m largely mentally unarmed against his assertions, but I judge he paints with entirely too broad a brush. He sees Modernism not just as a new movement that overthrew previous traditions, but as a movement that relies on overthrowing the old, and therefore has led intellectual life down the blind alley of continual revolution without trying to move forward with the results of any of those revolutions. He then ties that into to efforts of “Modernist” regimes to destroy the cultural past (as examples, the Soviet efforts to destroy religious community and the Taliban’s destruction of Buddhist monuments in Afghanistan).

Again, I do highly recommend the book. I have some potential problems with it, but it is far more important than those problems. I would certainly like to hear from people who can talk to my concerns better than I can, but in the end it’s biases are fairly clear, and the value of a history that ties together the events of such a large area ranks very high, also the bulk of the most interesting points of the book have not been touched on by me here. Finally, the notes do a valuable service in pointing out places where further scholarly study are desperately needed, and I hope that some of these gaps are directly addressed in the future.

Be the first to comment

Lost to the West—A Good Light History of Byzantium

Posted February 21, 2012 By Rindis

Lost to the West is a very good readable brief history of the Byzantine Empire, and I recommend it as such to anyone who would like to familiarize themselves with the subject.

However, the subtitle “The Forgotten Byzantine Empire that Saved Western Civilization” suggests a particular thesis for the book, which it does not follow. Byzantine culture is brought up on occasion, as well as the rise and fall of education during various periods. However, ‘saving Western Civilization’ only comes in at the end with the population fleeing the Ottoman Empire, and bringing copies of various Roman and Greek works that had lost in Western Europe.

I’d kind of like to see a detailed look at just how certain works have been transmitted down from ancient times to today, but that is a specialized subject, and not part of this book. Similarly, there is only passing mention, at the beginning and at the end, of how ‘Byzantine’ history has been ‘lost’ to Western culture, not least because of how it has been somewhat artificially removed from ‘Roman’ history.

But it is good, light, general history, and if you enjoy it, I highly recommend the author’s podcast, 12 Byzantine Rulers, which was done to go along with this book. Conversely, if you enjoyed the podcast, you will enjoy the book.

Be the first to comment